Essay on albert namatjira

Namatjira, Rising Water The notion of "authenticity" in art has whiskers all over it.

Essay on albert namatjira

Albert Namatjira - Simple English Wikipedia, the free encyclopedia

Elea belonged to the western group of the Arrernte people. In the family was received into the Lutheran Church: Elea who was given the name Albert and his father who took the name Jonathan were baptized, and his mother was blessed as Emilie.

Albert attended the Hermannsburg mission school. In accordance with the practice of the missions, he lived separately from his parents in a boys' dormitory. At 13 he spent six months in the bush and underwent initiation. He left the mission again at the age of 18 and married Ilkalita, a Kukatja woman.

Eight of their children were to survive infancy: The family shifted to Hermannsburg in and Ilkalita was christened Rubina. In his boyhood Albert sketched 'scenes and incidents around him.

He later made artefacts such as boomerangs and woomeras.


Encouraged by the mission authorities, he began to produce mulga-wood plaques with poker-worked designs. Meanwhile, he worked as a blacksmith, carpenter, stockman and cameleer—at the mission for rations and on neighbouring stations for wages.

Essay on albert namatjira

The spectacular scenery of Central Australia, then entering the national consciousness as a symbol of Australian identity, attracted artists to Hermannsburg, among them Rex Battarbee and John Gardner. During their second visit in they held an exhibition for an Aboriginal audience.

The Arrernte were familiar with illustrations of biblical scenes, but none had seen landscapes depicting their own surroundings.

Essay on albert namatjira

Motivated by a deep attachment to his country and the possibility of a vocation that offered financial return, Namatjira expressed an interest in learning to paint.

In he accompanied Battarbee as a cameleer on two month-long excursions in and around the Macdonnell Ranges. Battarbee was impressed by his evident talent.

In the following year Pastor Friedrich Albrechtthe superintendent of Hermannsburg, displayed ten of Namatjira's watercolours at a Lutheran conference held at Nuriootpa, South Australia.

Battarbee included another three of his water-colours in an exhibition with the Royal South Australian Society of Arts, Adelaide.

In the two men went on an expedition, during which Battarbee taught him photography. With Battarbee's assistance as teacher, dealer and mentor, a school of artists developed around Namatjira. Although Namatjira is best known for his water-colour landscapes of the Macdonnell Ranges and the nearby region, earlier in his career his imagery had included tjuringa designs, biblical themes and figurative subjects.

He also produced carved and painted artefacts, and briefly painted on bean-wood panels.Albert Namatjira (28 July – 8 August ), born Elea Namatjira, was an Indigenous Australian artist.

Biography - Albert (Elea) Namatjira - Australian Dictionary of Biography

He is one of Australia's most well-known painters. He is best known for his watercolour paintings of the Australian outback landscape. Before we begin to discuss such document as a bibliography, it is important to define its meaning.

Unlike a typical essay or research paper, a bibliography involves only the list of sources that student used to study a particular subject. Ian MacNeill is an arts journalist with a special interest in bringing neglected areas to light.

His last book was Sweet Horizons: A History of the Solomon Islands (). Below is an essay on "Albert Namatjira" from Anti Essays, your source for research papers, essays, and term paper examples.

Albert namatjira was born in and became one of Australia most notable artist/5(1). Content in externally sourced articles is not necessarily the opinion of the Sovereign Union and is included for reference and general information purposes only. Albert Namatjira is one of Australia's best-known artists, whose landscape paintings are iconic images synonymous with the Australian outback.

However, one hundred years after his birth on 28 July , Namatjira has become both a national symbol and a scapegoat for the social policies and aesthetic.

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